Showing posts with label see. Show all posts
Showing posts with label see. Show all posts

11.5.15

BROADCAST OF THE MONTH

ITS OFFICIAL - WE'RE BACK!


After another long month in the writing, editing and finally photo shoot bunker we are now officially climbing out of the publication abyss and hitting the gallery, workshop, workbench circuit again.
Ramona's been off in Adelaide opening jeweller Sim Luttin's fab new show (which we'll more about) while I've been recovering in bed from the post photo shoot flu (which we shall never speak of again). But enough about us. What you really want is to hear all about the incredible adventures happening in the craftiverse's during the next month.

EXHIBITIONS TO SEE
Impressa

Anna Davern's new exhibition of contemporary jewellery is one worth making time for. Continuting her own practice of riffing on royalty, politicians, colonialism and the 'cultured' elite this new exhibition of works references the traditions of portrait miniatures skewered brilliantly with wit and design nous. Davern manually manipulates the highly regulated imagery of the British monarchy and upper classes by slicing and dicing in a way that distorts and dissects the traditional depictions of empire and social position. Clever clever collage.

May 11- 23 at E.g.etal
opens Friday 15th May from 5-7pm.

Exquisite Threads


Seriously important for anyone interested in needlework, feminism, history and culture (isn't that all of us!) This collection of english pieces from the 1600's to 1900's is a testament to the skill of the domestic crafter throughout English history. Over 60 works are displayed, each representing the integral place handwork held as both an educational tool and creative outlet.  Ramona hit this one up on the weekend and tells me its gobsmacking. Recommendation enough I think!

NGV International ground level, until July 15.

Numurkah 

Somewhere between Old Gregg and Aphrodite lies the under sea neo-psychedelia of local jeweller Milly Savage. Her approach is unique, raw and mystical, simultaneously reverent of the culturally attributed 'magic' attached to precious metals and stones as well as playfully recontextualising their traditional vaulted placement into new bubblegum-hued underworlds complete with magic foam and iridescent foil. Her use of lost wax casting adds weight in both physical and metaphysical ways, adding an alchemical touch to works already brimming with vitality. Seriously cool stuff we can't get enough of. 

24/7 in the Craft Victoria window until June 2.


WORKSHOPS/LECTURES

Tea x Zen and Chawan Fetish



Its fair to say that melbourne has developed a strong taste for all things Japanese and craft related, and while our reputation says 'coffee drinkers' we're also pretty serious about our tea. Slow Clay has come up with the goods again, marrying all three together in a pair of unique events presented by 'globe trotting contemporary tea master' and interventionist Adam Wojcinski. Tea x Zen is an authentic, hands on experiential workshop option while Chawan Festish will allow the enthusiastic and knowledgable Wojinski to regale you with rare and fascinating insights into the ancient art of the Japanese Tea ceremony. Interested? Find out more here 

Slow Clay
May 24 and Friday June 12

IMPORTANT EVENTS
Clay for Nepal
Vipoo Srivalasa and Lynda Draper
This brilliant fundraising idea has been conceived and orchestrated Vipoo Srivalasa with assistance from Vicki Grima and Adriana Christiansen. All money generated will go to Oxfam Australia's Earthquake relief appeal.  This is an incredibly important event for the huge group of makers who have donated their works, but more importantly for the people of Nepal who's lives have been devastated by this tragic event.
vessel by wingnut and co
There is a strong connection between ceramicists the world over and in particular there are a number of local potters who have spent time working with their Nepalese counterparts. The list of participating artists is long and includes the creme of contemporary ceramics. Having both an Auction and buy now online shop, has allowed them to showcase works at all price points, so there is really no reason not to get on board.

The auction kicks off May 15 and closes on May 17. The works are amazing and the cause incredibly important so please support them in any way you can. See a complete selection and find out more about it here . Tell your friends, tell your family and let's make this a cracking success.



There's loads more to see make and do this month - listen up to Ramona talking all about it with Kulja and Dylan on the RRR's this morning at around 10am.  Happy Crafting people! Beck.

30.3.15

BROADCAST OF THE WEEK

still breathing


We have officially become bad bloggers and we have no one else to blame but ourselves and one giganto manuscript that is so close to being finished we can almost start to breath normally again. We unchained ourselves from the computers on Friday night to attend a wonderful feast at the newly minted Popcraft Studio in Northcote. We'll be talking about that and other craft delights this morning on The Grapevine on RRR with the lovely Dylan and Kulja.


Unfolding: New Indian Textiles is another great reason to abandon work! Writer and curator Maggie Baxter has had the enviable task of exploring the textile traditions and contemporary style of India, with and extensive exhibition hosted by RMIT Gallery to coincide with her new book on the subject. Surface embellishment, colour, block printing, beading certainly make our pulse race and as we are on the precipice of booking plane tickets as our reward for a year of slog this may just be the inspiration we need in choosing our destination.


We cannot believe that this year marks the 21st anniversary of the Fresh exhibition at Craft. It has been such a pleasure to be involved with this show over the years. Both of us have served on the selection panel at different times and we've watched with interest as some of our favourites from these best of the best graduates shows have gone on to have extraordinary careers in professional craft. Still such an important exhibition on the craft calendar.


We urge you all to make a trip south side to see the new group show Fertile Ground at the Australian Tapestry Workshop . Their Artist in Residence program has grown from strength to strength and last year was a stellar line up. You can see the fruits of their collaborative labour, explore the workshop, and pick up some delicious tapestry yarn while your at it. their 2015 calendar is just as exciting. We are looking forward to hearing one of our craft favourites  Phil Ferguson aka ChiliPhilly discuss his residency on the 7th of April.


For those of you looking for a road trip we highly recommend heading north (if you are based in Melbourne) to Ararat Regional Gallery for an embroidery group show (yes embroidery!) This is a kind of craft blockbuster that is well worth getting in the car for.  Slipstitch features recent work from Mae Finlayson, David Green, Lucas Grogan, Alice Kettle, Tim Moore, Silke Raetze, Demelza Sherwood, Matt Siwerski, Jane Theau, Sera Waters, Elyse Watkins and Ilka White. It's rare to get a discipline specific textiles show so this is a must see. 


If we have time we'll also talk up Easter and school holiday craft. We'll be doing a lot of making over the next two weeks in preparation for our book photo shoot - wish us luck! 
Well be on air around 10.15 1027 on your dial or streaming at RRR.

23.2.15

BROADCAST OF THE WEEK

we're baaaaaaaaaaack


After what seems like an eternity, we are back on air this morning with the wonderful Kulja and Dylan of The Grapevine on RRR (102.7 on your dial!). We are really looking forward to getting back out into the world after a solid three month stint in the Writing Bunker we need to stretch our legs a bit and see what's out there.  Lucky for us the Virgin Australia Melbourne Fashion Festival has a bangin arts program this year with some shows already open despite the festival still being a couple of weeks off. We checked out We Wear Future at BSG on Saturday. A sprawling show of 20 artists and designers that, despite being a bit hit and miss, has some real gems. We kinda loved the 'morph jackpacks' by Cadia Belante(above). Turns out we missed a whole floor of this show, doh! A return visit for sure.


Stephen McLaughlan Gallery continues the have sneaky brilliant shows that slip under the radar, the latest is no exception. The Useful Set brings together some of the best ceramicists currently at the wheel (see what we did there)? Jane Sawyer, Prue Venables, Sophie Moran, Elizabeth Masters, Zak Chalmers, Phil Elson and on and on. With the addition of beautiful still life paintings by Lisa Banks this is quite a quiet gathering of marvellous minds. a MUST see.


We'll be talking more about White Goods, the current show on at Craft, later in the week. Suffice to say it's a beautiful meditative show - perfect for hot summer days. We'll also talk a bit about the mysterious National Craft Initiative and the new announcement of a Victorian Craft Award


We'll also tell you more about what we've been doing while on hiatus (a lot of hunching over our computers to be honest) but more excitingly what we are about to do! It's fever pitch here at HML headquarters with a kind of marathon of making ahead that will test our craft mettle to the core. It's nice to be back, we missed you! Happy New Year Everyone… RAMONA & BECK

10.11.14

BROADCAST OF THE WEEK

Feels like forever since we last graced the airwaves with our dulcet tones (snort). We are raring to go this morning as we catch up with our good friends at RRR. Listen in to The Grapevine with Dylan and Kulja  around 10:15. We'll be talking up seminars, markets, Christmas, books. Basically we'll be talking so fast we run the risk of sounding like we've had too many pharmaceuticals with our double espressos. We'll be giving a big plug to a writing seminar hosted by Craft this Thursday because I'm actually leading the charge, helping makers find their authentic writing voices. I'll be cutting through all the crazy art speak and noncing about with the english language and giving it to them straight. We'd love it if you came along (Beck will be the heckler in the back row). There is nothing nicer than meeting hml readers! You can book a ticket here

Sophie Moran is one of the many great makers at Markit this year

We'll be chatting a bit about the upcoming makers markets, Markit on the 23 of November and The Big Design Market 5-7 December. We've got some tips on how to avoid market fatigue and talk about some of the highlights for us at these blockbuster events.

If you can't handmake all your gifts be sure to buy local and handmade
We'll be tellling you what is on our Santa list this year. Top of my list is this stunning tinsel inspired necklace by jeweller Felicity Large now on show at Bini Gallery. Just one of the many great places you can buy beautiful, unique, local handmade objects that will beat a book voucher any day.

a new book by Beci Orpin is always reason to celebrate
If you do get a book voucher we highly recommend the new crafty tome by uber designer Beci Orpin. Make and Do is an explosion of ideas and inspiration, cleverly capturing Beci's warmth and generosity as well as her unique superstar style.

Kate Wischusen
If we have time we'll also let you know some of the great shows on around town. We love this time of year because there is so much on, a highlight being the graduate shows. Some of our favourite emerging makers are in this years RMIT School of Art Honours opening on the 18th at First Site Gallery.  Listen in people! Stay in the loop! RAMONA

28.10.14

SHOWS OF THE WEEK - GERRY WEDD, KATE JONES, SARAH O'SULLIVAN

Pot Heads

Right now there are three of the best ceramic exhibitions we've seen in an age gracing the hallowed exhibition spaces of Craft. Seriously great exhibitions. Shows that have surprised us, moved us and surpassed our expectations on many levels. We're pretty amazed, and as Craft moves from artist initiated exhibitions to curated shows for 2015, the three highly individual voices of Kate Jones, Sarah O'Sullivan and Gerry Wedd sing loud and clear. Considered alongside the new school naive 'wonk' of the hand-built ceramic works by Paradise Structures on show in the Craft window, you have what could probably be described as a perfect primer delivering the incredible diversity of contemporary ceramic practice in Australia.  

KATE JONES BEING


The term 'hotly anticipated' doesn't even come close to the way Ramona's been feeling about this show. Entitled Being, this new collection of large scale slab built ceramic pots builds upon the aesthetics, construction, techniques and conceptual framing showcased in Kates exhibition practice over the past two years and concentrates specifically upon the 'spaces' between two dimensional painting and sculpture. 


Kate says of her work  "The combination of painted surface and sculptural form creates an ambiguity that questions assumptions about both genres. this allows my work to sit in a liminal space that affords a realm of possibility in which new configurations of ideas and relations can occur." The resulting works within this show are a testament to the hours of investigation and skillfull restraint of Kate's painting technique. There is a definitive ambiguity in the pieces -  the mark making and brush strokes are intimately connected with contemporary abstract art, the scale and form of the sculptures lends itself to abstracted industrial architecture, while the drips and splashes immediately bring graf tagging to mind.


The scale of these works is impressive, both technically and literally. Some fold and bend like fabric sacks, while others stand upright at ungainly angles like totems and tree trunks. Their solidity is either softened by the layered of pastel colour washes or given a menacing bulk with dark paint and glossy glazes. These paintings in the round are like landscapes with each aspect offering a different perspective to the viewer. Glorious stuff.

SARAH O'SULLIVAN VESTIGE



This exhibition has provided us with one of our biggest surprises for the year so far. Deep and rich with historical references, masterful in its technique, sharply clever in concept and heady with nostalgia the show has completely blown us away. Sarah's work is an ongoing investigation of how "decoration is used in domestic ceramics to navigate relationships between people, and the natural Australian environment" 



Vestige is a brilliant articulation of these themes that elicits an intensely personal response from the viewer. Regular readers know that we're both keen ceramic collectors with shelves and mantles covered with coveted objects made by our favourite makers that say as much about us as they do about the maker. Ramona's collection reflects her deep love of poetry and the many hues of blue, while mine is full of Japanese earthenware and mid-century west german pottery.




Both of us however are united in our love of the undisputed king of decorative ceramics, Wedgewood. And its here in the pocket of the traditionally coloured clay where Sarah's years of technical and historical investigation in decorative textiles intersect with our own personal stories. I'm doubly invested: having inherited my grandmothers vast collection and with a distant ancestor who worked there as potter. However nearly everyone anyone can draw familial links with the special display objects  that were only used looking or for 'good'. That this show so closely referenced our own family histories and then played them out on wall-mounted, plinth-white furniture against a perfect museum grey literally took our breath way. Clever, clear and moving.

GERRY WEDD POT CULTURE



I'm gonna come straight out and call myself a Weddophile. Gerry's keen observations, wry wit, humble leanings and excellent musical tastes are right up my alley. The fact that he's also a brilliant illustrator,super skilled clay maven and Delft aficionado is icing on the proverbial cake.


In his new show Pot Culture he's pretty much written a ceramic love letter to the Melbourne Music Mafia, connecting the dots from Paul Kelly (see what I did there) to the Drones in a commemorative collection of decorated plates that charts the family tree from Hank Williams, to Evil Graham Lee (who in a little known MMM fact actually played pedal steel on KLF's album Chill Out - see I really am a music geek).


Name checking lyrics from the Underground Lovers and Black Eyed Susans in hand-carved and hand painted letters he draws pertinent parallels between the crafting of music and objects. His vessel based documentation of the drug dependant decline of so many great talents links back to the urn storytelling of ancient Greece (and maybe the Old Greek) in a perfectly pitched rendition of 'happy sad'. This show is SO close to my heart... Dad played alongside The Loved Ones in the garage days of 1960's Australia and I fulfilled a countdown fueled childhood dream by working at INpress mag for just over a decade throughout the 90's, before coming back to craft. Nostalgia overload wrapped up pop pun genius.

PARADISE STRUCTURES KEEP FLUSHIN'



Melbourne based sibling collaborators Paradise Structures have somehow managed to merge Anthony Robbins motivational language with basketball culture AND toilet humour in their new show Keep Flushin'.


Drawing connections between everyday actions and sporting achievements they look at how we might re-position daily acts as small wins. Bringing together digitally printed fabric garments and incredibly naive ceramic tableware they mix both metaphors and materials. Weirdly compelling. BECK

Being, Vestige and Pot Culture on Monday to Saturday at Craft until November 29
Keep Flushin' on 24/7 in the window until December 1

All images by Beck Jobson.

20.10.14

SHOW OF THE WEEK - SANDRA ETEROVIC

mind blown


Seeing new work by Sandra Eterovic is always exciting. Long time favourite of handmadelife, this hard working and talented illustrator/artist just gets better and better. A sense of humour dryer than a desert married with the prettiest of palettes ramps up the sarcasm to 11 without being too clever clogs.

Her new table tennis paddle paintings (all sold by the time I got to the opening) are pitch perfect. People lie awake, their minds racing with the knowledge life just doesn't live up to expectations.
There's always a smattering of self deprecation to keep the ego in check. Above all this sardonic sloganism there is an undeniable beauty in her work. We never know if this is just a way to seduce us as viewers, a way of tricking us into believing that everything will be all right in the end, when in fact reality is far more complicated than that.


Despite this lack of apparent optimism, the work is ultimately funny and open hearted. Eterovic seems to be saying that even if things aren't all rosy, at least we are in it together and that will make it more than bearable in the end. We can have fun in the lifeboat together despite being such a motley crew.

Still Waiting to be Blown Away  
by Sandra Eterovic
until November 12
HUT 13
79 Swan Street 
Richmond

15.9.14

SHOW OF THE WEEK - CARLY FISCHER

wasted


The ladies of HML are enormous fans of paper-craft, origami, silhouettes, paper-cuts, embossing, we love it all. Ramona even has a thing for quilling. But we seriously love paper when its used as a clever and confounding construction material. And Carly Fischer's new show Magic Dirt, currently on at Craft does this in spades.


Carly is a contemporary artist who brilliantly utilises the medium as both a conceptual and mechanical tool. Making models is not in and of itself new. However playing with the traditional context of model making as starting point for a finished piece of work and flipping it - by using the 'real' piece as the starting point and making a paper model as the finished piece, really is. Especially when said work is so realistic it gets your brain totally twisted up in chicken and egg knots.



Her mastery of mimicry is mental. Upon first sight the gallery space looks like its mid installation, with dirty plastic and green shopping bags strewn among cigarette butts and discarded soft drink cans. Of course under closer inspection the true nature and genius of the exhibition reveals itself. Honed on the visual cues of iconic cinematic representations of the 'outback' from films like Wake in Fright and Mad Max, Fischer deploys the interlopers associative aesthetic and spiritual mythology built around the landscape, contrasting it sharply against the reality of the land as it is actually inhabited. 


The soundscape that accompanies the exhibition continues Carly's collaborative work with Berlin Based composer Mieko Suzuki. Created from both site specific atmos recordings and film score samples it provides a poignant and evocative backdrop to one of this years most profound and compelling exhibitions.

Craft is recording an interview with Carly for their brilliant Craft TV channel, so keep your eyes peeled hear and learn more from this amazing artist. Or in the meantime check out the website for more details. BECK

Magic Dirt by Carly Fischer
Gallery one, Craft Victoria
31 Flinders Lane, Melbourne
September 5 - October 18.

1.9.14

SHOWS OF THE WEEK - JASON HAUFE, SARAH CROWEST

visions of spring

Jason Haufe @ Stephen McLaughlan Gallery
The ladies of HML are big fans of makers seeing out inspiration from multiple sources. Whether it be gardens, food, architecture and in this week's slew of shows, visual art. We refuse to see boundaries between any of these things. Creativity is creativity, inspiration is everywhere right?

encredible multimedia work by Melinda Schawel at Flinders Lane Gallery
New colour ways, materials, thought processes, even settings can really fire up the brain. As the weather gets better it's good to push ourselves a little further afield. Don't forget that every university campus usually has an accompanying exhibition space or two that should be explored on a regular basis. 

Artist Books at George Paton Gallery UMSU
We find that makers of all disciplines can get very caught up in their own media and become a little tunnel visioned. To loosen things up there is nothing better that going to see work in unusual spaces and in unexplored territories. in the same way we recommend spending the odd day or two doing the blockbuster shows at the national galleries. You'll find yourselves refreshed and ready for making new Spring work.

always inspiring Sarah Crowest @C3 Gallery
All the captions have links to the galleries in them so you can grab the details. Some are finishing and some are starting this week so be sure to check the dates and opening times (which fluctuate wildly from space to space as seasoned gallery visitors will know). Happy inspiration trails people, back to more craft based shows next week. RAMONA

28.8.14

POP UP OF THE YEAR - DOMESTIC FRONTIER

the wild frontier


You still have a few days left to visit the hottest pop up in town. Domestic Frontier brings together makers that have some interesting and beautiful similarities. The aesthetic is earthy, simple, with distinctive handmade qualities.

Jo Ruchel's beautful baskets

There is also a beautiful colour palette ranging sumptuous earthy tones to indigo blues, basically the stuff of dreams in our opinion.

Bridget Bodenham's free form platters
The ladies of HML wished this sort of thing happened more often. There is such a freshness to it,  and we can attest to the beauty and functionality of the pieces (We love our Sophie Moran cups and use them every day for that all important first coffee).

Sophie Moran's perfect cup
We are also huge fans of so many of the makers involved. We've been swooning of Greg Hatton's furniture since we saw it last year at the Slow Clay  open day.


Of course Vic Pemberton is a firm favourite as we loved her indigo course and always find her Bind & Fold range so seductive, she always gets the best blue out of her indigo forays!

Bind & Fold beauty
So gorgeous and not to be missed!

Domestic Frontier closes this Sunday
19 Nicholson Street Brunswick East
Open 11-6 so plenty of time! BECK AND RAMONA